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Hip-Hop Culture

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_____. The New H.N.I.C. (Head Niggas in Charge): The Death of Civil Rights and the Reign of Hip Hop.  New York: New York University Press, 2002. 169 p.
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_____. "Empowering Self, Making Choices, Creating Spaces: Black Female Identity via Rap Music Performance." Journal of American Folklore 113(2000): 255-269.
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Kitwana, Bakari.  The Hip Hop Generation: Young Blacks and the Crisis in African American Culture.  New York: Basic Civitas Books, 2002.  230 p.
Krims, Adam. Rap Music and the Poetics of Identity. New York: Cambridge University Press, 2000. 217 p.
KRS-ONE. Ruminations.  New York: Welcome Rain Publishers, 2003. 263 p.
Kunjufu, Jawanza. Hip-Hop vs. MAAT: A Psycho/Social Analysis of Values. Chicago: African American Images, 1993. 151 p.
Kuwahara, Yasue.  "Power to the People Y'All: Rap Music, Resistance, and Black College Students." Humanity and Society 16(1992): 54-73.
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Livingston, Samuel Thomas. "The Ideological and Philosophical Influence of the Nation of Islam on Hip-Hop Culture." Ph.D. Thesis, Temple University, 1998. 242 p.
Lunine, Brij David.  "Genocide 'n' Juice: Reading the Postcolonial Discourses in Hip-Hop Culture." In King, C. Richard, ed. Postcolonial America. Urbana: University of Illinois Press, 2000. 361 p.
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Martinez, Theresa.  "Popular Culture: Rap as Resistance." Sociological Perspectives 40 (1997): 265-286.
Morgan, Joan. "Fly-Girls, Bitches, and Hoes: Notes of a Hip-Hop Feminist." Social Text 14 (Winter 1995): 151-57.
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Muhammad, Jesse. "Hip Hoppers Urged to Reclaim Culture from Exploiters." The Final Call 23 (14 October 2003): 37-38.
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Niesel, Jeff. "Hip-Hop Matters: Rewriting the Sexual Politics of Rap Music." In Heywood, Leslie, and Jennifer Drake, eds. Third Wave Agenda: Being Feminist, Doing Feminism. Minneapolis, MN: University of Minnesota Press, 1997. 268 p.
Ogbar, Jeffrey O. G. "Slouching Toward Bork: The Culture Wars and Self-Criticism in Hip-Hop Music." Journal of Black Studies 30 (1999): 164-183.
Osumare, Halifu. "African Aesthetics, American Culture: Hip Hop in the Global Era." Ph.D. Thesis, U. of Hawaii 1999. 475 p.
Perkins, William Eric, ed. Droppin' Science: Critical Essays on Rap Music and Hip Hop Culture. Philadelphia: Temple University Press, 1996. 276 p.
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Potter, Russell A. Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism. Albany, NY: State University of New York Press, 1995. 197 p.
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Roberts, Robin. "'Ladies First': Queen Latifah's Afrocentric Feminist Music Video." In Black Women's Culture, special issue, African American Review 28 (Summer 1994): 245-257.
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Slovenz, Madeline. "'Rock the House': The Aesthetic Dimensions of Rap Music in New York City." New York Folklore 14 (1998): 151-163.
Smith, Christopher Holmes. "Method in the Madness: Exploring the Boundaries of Identity in Hip-Hop Performativity."  Social Identities 3 (October 1997): 345-374.
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